Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, The insides of my eyelids, duvets packed into the wall cavity, dimensions variable
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, The Passer-by, 2025, ink-jet print on paper, 29.7 × 21 cm, unlimited edition
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, To put your best face forward, your lighting needs to be on your level., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, To put your best face forward, your lighting needs to be on your level., 2025 (alternative view)
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, Think of your face as a vertical line, and make sure the surface of your light source is parallel to it., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, Think of your face as a vertical line, and make sure the surface of your light source is parallel to it., 2025 (detail)
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, 4–5AM, 2025, meat counter lights, dimensions variable
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Eva Gold, You want to make sure you're facing the right direction to make the most of the light., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, Angle your camera to be faced down slightly, and snap., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, Natural light that's soft and diffused is always best., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, Natural light that's soft and diffused is always best., 2025 (detail)
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Eva Gold, Make sure to wipe your front camera clean—sweat and makeup can get in the way and reduce the crispness and clarity of your images., 2025, charcoal on paper, welded aluminium frame, 56.4 × 99.8 × 3.5 cm
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Eva Gold, To be animal, Rose Easton, London, 3 October – 15 November 2025
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Male Extinction, curated by Massimiliano Scuderi, Galleria Solito, Naples
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Eva Gold, Closed House, 2025, found aluminium frame, PVC, rubber, detritus, strip light, gel, 100 x 276 x 85 cm, 39 ⅜ x 108 ⅝ x 33 ½ in, dimensions variable
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Eva Gold, Closed House, 2025 (detail)
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Eva Gold, ROOMS AVAILABLE, 2025, resin, fibreglass, perspex, aluminium, steel, LED, gel, 18 x 124 x 18 cm, 7 ⅛ x 48 ⅞ x 7 ⅛ in
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Eva Gold, Goodnight Jessica, 2025, synthetic wigs, aluminium wire, steel bracket, 50 x 70 x 20 cm, 19 ¾ x 27 ½ x 7 ⅞ in
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Male Extinction, curated by Massimiliano Scuderi, Galleria Solito, Naples
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Eva Gold, CASH 4 GOLD, 2025, resin, fibreglass, perspex, aluminium, steel, LED, gel, 33.5 x 11.5 x 60.5 cm
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miart, Milan, Booth E31, 3–6 April 2025
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Eva Gold, ROOMS AVAILABLE, 2025, resin, fibreglass, perspex, aluminium, steel, LED, gel, 18 x 124 x 18 cm
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Eva Gold, ROOMS AVAILABLE, 2025 (detail)
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miart, Milan, Booth E31, 3–6 April 2025
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Eva Gold, 24/7, 2025, resin, fibreglass, perspex, aluminium, steel, LED, gel, 89.5 x 25 x 25 cm
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Eva Gold, 24/7, 2025 (alternative view)
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Eva Gold, 24/7, 2025 (alternative view)
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miart, Milan, Booth E31, 3–6 April 2025
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Eva Gold, WE BUY AND SELL, 2025, resin, fibreglass, perspex, aluminium, steel, LED, gel, 25 x 13 x 65.5 cm
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Air de Repos (Breathwork), curated by Cédric Fauq, Capc Musée d’art contemporain de Bordeaux, 14 November 2024 – 4 May 2025
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Eva Gold, Cowboys, 2022, rubber roofing membrane, dimensions variable (approx 145 x 330 x 35 cm)
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Air de Repos (Breathwork), curated by Cédric Fauq, Capc Musée d’art contemporain de Bordeaux, 14 November 2024 – 4 May 2025
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Eva Gold, Open Til Late, 2024, resin, fibreglass, perspex, LED light, change, 43 x 45 x 13 cm (16 ⅞ x 17 ¾ x 5 ⅛ in)
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Eva Gold, Liquor, 2024, resin, fibreglass, perspex, fluorescent light, change, 15 x 40 x 10 cm (5 ⅞ x 15 ¾ x 4 in)
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Eva Gold, Acts of Violence (after Lynch) 1, 2024, charcoal on paper, framed, 25.8 x 52.6 x 3.6 cm (10 ⅛ x 20 ¾ x 1 ⅜ in)
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Eva Gold, Acts of Violence (after Lynch) 2, 2024, charcoal on paper, framed, 25.8 x 52.6 x 3.6 cm (10 ⅛ x 20 ¾ x 1 ⅜ in)
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Eva Gold, Acts of Violence (after Lynch) 3, 2024, charcoal on paper, framed, 25.8 x 52.6 x 3.6 cm (10 ⅛ x 20 ¾ x 1 ⅜ in)
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Acts of Violence (after Tarkovsky), 2024, colour pencil on paper, framed, 40.3 x 57.7 x 3.6 cm (15 ⅞ x 22 ¾ x 1 ⅜ in)
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Eva Gold, Acts of Violence (after Tarkovsky), 2024 (alternative view)
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Eva Gold, Acts of Violence (after Tarkovsky), 2024 (detail)
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Acts of Violence (after Haneke), 2024, charcoal on paper, framed, 74.2 x 130.2 x 4.8 cm (29 ¼ x 51 ¼ x 1 ⅞ in)
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Eva Gold, Acts of Violence (after Haneke), 2024 (alternative view)
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Eva Gold, Acts of Violence (after Haneke), 2024 (detail)
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Eva Gold, You were disgusting and that’s why I followed you, 2024, leather sofa and armchair; text work printed on recycled paper, stacked, dimensions variable
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Eva Gold, You were disgusting and that’s why I followed you, 2024 (alternative view)
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Eva Gold, You were disgusting and that’s why I followed you, 2024 (alternative view)
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Eva Gold, You were disgusting and that’s why I followed you, 2024 (detail)
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Eva Gold, You were disgusting and that’s why I followed you, 2024 (detail)
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Booth F27, Frieze London 2024
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Eva Gold, Open (Green), 2024, resin, fibreglass, perspex, fluorescent light, 25 x 54.5 x 12 cm (9 ⅞ x 21 ½ x 4 ¾ in)
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Eva Gold, No Vacancy, 2024, resin, fibreglass, perspex, fluorescent light, change, 19 x 50 x 13 cm (7 ½ x 19 ¾ x 5 ⅛ in)
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SL × RE (New York), Silke Lindner, 28 June – 2 August 2024
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Eva Gold, Video Store, 2024, resin, fibreglass, perspex, fluorescent light, change, 60 x 23 x 23 cm (23 ⅝ x 9 x 9 in)
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Eva Gold, Video Store, 2024 (alternative view)
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SL × RE (New York), Silke Lindner, 28 June – 2 August 2024
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SL × RE (New York), Silke Lindner, 28 June – 2 August 2024
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Eva Gold, Night Shift, 2024, Aluminium, resin, fibreglass, fluorescent strip light, 26.2 x 55.5 x 12.5 cm (10 ¼ x 21 ⅞ x 4 ⅞ in)
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Eva Gold, Night Shift, 2024 (alternative view)
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Eva Gold, Night Shift, 2024 (detail)
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Eva Gold, Night Shift, 2024 (detail)
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Eva Gold, Shadow Lands, Silke Lindner, New York, 2024
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Eva Gold, Pilot and Passengers I, 2024, colour pencil on paper, framed, 42 x 59.4 cm (15.5 x 23.4 in)
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Eva Gold, Pilot and Passengers II, 2024, colour pencil on paper, framed, 42 x 59.4 cm (15.5 x 23.4 in)
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Eva Gold, Pilot and Passengers III, 2024, colour pencil on paper, framed, 42 x 59.4 cm (15.5 x 23.4 in)
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Eva Gold, Shadow Lands, Silke Lindner, New York, 2024
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Eva Gold, Pilot and Passengers IV, 2024, colour pencil on paper, framed, 42 x 59.4 cm (15.5 x 23.4 in)
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Eva Gold, Pilot and Passengers V, 2024, colour pencil on paper, framed, 42 x 59.4 cm (16.5 x 23.4 in)
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Eva Gold, Shadow Lands, Silke Lindner, New York, 2024
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Eva Gold, Echo Chamber, 2024, leather, 8 found chairs, dimensions variable
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Eva Gold, Echo Chamber, 2024 (detail)
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Eva Gold, Echo Chamber, 2024 (detail)
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Eva Gold, Insider/outsider, 2024, barbed wire, hardware, dimensions variable
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Eva Gold, Pilot and Passengers VI, 2024, colour pencil on paper, framed, 42 x 59.4 cm (15.5 x 23.4 in)
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Eva Gold, Shadow Lands, Silke Lindner, New York, 2024
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Eva Gold, Face up, 2023, colour pencil on paper, framed, 37 x 50 x 4 cm
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The Living House, Van Gogh House, London 2023
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The Living House, Van Gogh House, London, 2023
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Eva Gold, Scenes from a dream (the night before last), 2023
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City of Rooms (part one), Rose Easton, London, 2023 © The Easton Foundation/VAGA at ARS, NY and DACS
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Eva Gold, Insomniac (SE4 2PP), 2023, Aluminium, 30 x 28 x 17 cm
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City of Rooms (part one), Rose Easton, London, 2023 © The Easton Foundation/VAGA at ARS, NY and DACS
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Eva Gold, Channel Zero, 2023, Pencil on paper, framed, 42 x 50 x 3.5 cm
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Eva Gold, Soft Touch, 2023, Lambskin leather, found chair, 73 x 55 x 60 cm
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Eva Gold, Home Video, 2023, Jesmonite, rubber, 18 x 8.5 x 21 cm
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City of Rooms (part one), Rose Easton, London, 2023
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Eva Gold, City of Rooms (part two), Rose Easton at The Shop, Sadie Coles HQ, London, 2023
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Eva Gold, 00:10:22, 2023, Colour pencil on paper, steel and aluminium frame, 25 x 29 x 3 cm
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Eva Gold, 00:06:03, 2023, Colour pencil on paper, steel and aluminium frame, 25 x 29 x 3 cm
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Eva Gold, Hunter (03:00 AM), 2023, Aluminium, 47 x 32 x 17 cm
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Ideal Shapes of Disappearing, Silke Lindner, New York, 2023
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Eva Gold, Slow Dance, Eigen+Art Lab, Berlin, 2022
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Eva Gold, Motel, 2022, Latex, aluminium, fluorescent strip light, gel, 77 x 120 x 62 cm
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Eva Gold, Slow Dance, Eigen+Art Lab, Berlin, 2022
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Eva Gold, Wild Boy, Breathing, 2022, Rubber roofing membrane
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Eva Gold, Dead weight, 2022, Oiled lambskin leather, duck feathers, stainless steel, 110 x 40 x 40 cm
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Eva Gold, The Hand That Feeds You, 2022, Lambskin leather, stainless steel, embroidery thread, 22 x 22 x 9 cm
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Eva Gold, Slow dance, 2022, Coloured pencil on paper, framed
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Eva Gold, Hotel, 2022, Latex, aluminium, fluorescent strip light, gel, 80 x 110 x 62 cm
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Eva Gold, Dreamer, 2022, Rubber roofing membrane, lead, embroidery thread, 38 x 28 x 17 cm
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Eva Gold, The Last Cowboys, Ginny on Frederick, London, 2022
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Eva Gold, The Last Cowboys, Ginny on Frederick, London, 2022
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Eva Gold, Cowboys, 2022, rubber roofing membrane, dimensions variable
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Eva Gold, The Last Cowboys, 2022, Ginny on Frederick, London
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Eva Gold, Residual Heat (24 Hour), 2022, Aluminium, perspex, fluorescent strip, gel, duck feathers, 55 x 74 x 11 cm
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Eva Gold, Residual Heat (Open Late), 2022, Aluminium, perspex, fluorescent strip, gel, duck feathers, 36 x 59 x 10 cm
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Eva Gold, Packet, 2022, Aluminium, 10 x 6 x 4 cm
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Eva Gold, People from last night's dreams stumble in dark rooms, 2022, rubber, buckles, 90 x 16 x 15 cm
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Eva Gold, The Playground, 2022, coloured pencil on paper, aluminium frame, 20 x 42 x 2.4 cm
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Not Before It Has Forgotten You, curated by Caroline Drevait & Estelle Marois, Nicoletti, London, 2022
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Eva Gold, Liquid Gold, 2022, Aluminium with carvings, fluourescent strip, gel, 53 x 128 x 27 cm
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Eva Gold, Perv City, Parrhesiades at Goldsmiths CCA, 2020
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Eva Gold, Perv City, Parrhesiades at Goldsmiths CCA, 2020
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SEX, Rose Easton, London, 2022
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Eva Gold, The dog house, 2022, Rubber roofing membrane, lead, 43 x 70 x 45 cm
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Eva Gold, The dog house, 2022 (alternative view)
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Eva Gold, Lucky You, 2022, stainless steel, 37 x 29 x 13 cm
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Eva Gold, Some nights smell like trouble, 2022, Latex tubing, gold hoops found on the floor of nightclub toilet cubicles, 72 x 20 x 10 cm / dimensions variable
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Eva Gold, Some nights smell like trouble, 2022 (detail)
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Eva Gold, N.H, 2019, Hand carved Imperial Leather soap, rubber shelf, 10 x 10 x 7 cm
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Eva Gold, N.H, 2019 (alternative view)
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Eva Gold, U.W, 2019, Hand carved Imperial Leather soap, rubber shelf, 10 x 10 x 7 cm
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An Arrangement of Scenes, Royal Academy Schools Show, London, 2019
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Eva Gold, Lazy boy (The Perv), 2019, Vulcanised rubber, gaffer tape, silicone, latex, automotive grease, vaseline, la-z-boy
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Eva Gold, A changed man (The Perv), 2019, Vulcanised rubber, gaffer tape, steel, bolts
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Eva Gold, Baby, 2018, bowling pin, chain, steel, 200 x 13 x 50 cm
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Eva Gold, Kidney, 2018, Jesmonite, 23 x 16 x 6 cm
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