Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, Six Degrees of Separation, 2023, Graphite, oil pastel, oil stick, fabric dye, salt, and glue on paper, framed, 202.6 x 138 cm
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Jan Gatewood, A Cliche and a Prophecy, 2023, Graphite, coloured pencil, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 69.3 x 89.2 cm
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Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, Who do ___ want to be today, 2023, Graphite, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 210.9 x 93.2 cm
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Jan Gatewood, Fallen Angel… Theo Parrish + Oscar Micheaux, 2023, Graphite, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 69.3 x 89.2 cm
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Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, What are your thoughts on cheating? Please discuss as a group, 2024, Graphite, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 210.9 x 93.2 cm
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Jan Gatewood, What are your thoughts on cheating? Please discuss as a group, 2024 (detail)
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Jan Gatewood, I want to know everything I want to be everywhere, I want to fuck everyone in the world I want to do something that matters, 2024, Graphite, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 210.9 x 93.2 cm
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Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, Prince - Lady Cab Driver, 2024, Graphite, colored pencil, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 138.6 x 108.5 cm
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Jan Gatewood, After a certain age every man is responsible for his face…Camus, Faizon Love, Oscar Micheaux, 2023, Graphite, colored pencil, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 69.3 x 89.2 cm
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Jan Gatewood, It's Very You, Kiang Malingue, Hong Kong, 11 May – 29 June 2024
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Jan Gatewood, It was no longer possible to cherish that fine picture of myself…Camus, So So Def All Stars, X-Ray Spex, 2023, Graphite, colored pencil, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 69.3 x 89.2 cm
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Jan Gatewood, It was no longer possible to cherish that fine picture of myself…Camus, So So Def All Stars, X-Ray Spex, 2023 (detail)
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Jan Gatewood, The Downward Spiral Track 13, 2023, Graphite, colored pencil, oil pastel, oil stick, fabric dye, salt, bleach, and glue on paper, framed, 69.3 x 89.2 cm
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023 (detail)
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Jan Gatewood, Willingness to try, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Willingness to try, 2023 (detail)
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Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023 (detail)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023 (alternative view)
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Jan Gatewood, The observer and part of the observation, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, The observer and part of the observation, 2023 (detail)
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Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023 (detail)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023 (detail)
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Jan Gatewood, Complications of a fragmented self, 2023, graphite, coloured pencil, glue, salt, fabric dye, matcha, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Complications of a fragmented self, 2023 (detail)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023 (detail)
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Jan Gatewood, We have ethics because we are different, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, We have ethics because we are different, 2023 (detail)
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Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023 (detail)
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Jan Gatewood, What’s your stance on interracial relationships?, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, What’s your stance on interracial relationships?, 2023 (alternative view)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, How Ya Like Me Now? The sequel, 2023, graphite, colored pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, How Ya Like Me Now? The sequel, 2023 (detail)
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Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)
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Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023 (detail)
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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024
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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023
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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023
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Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glue, algae debris, and bok choy on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023 (detail)
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Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, blueberry, and broomstick on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023 (detail)
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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023
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Jan Gatewood, My first title was too confrontational so I changed it to Awareness (in progress), rules, and perfectly ridiculous optimism, 2023 Graphite, oil pastel, oil stick, fabric dye, salt, and bleach on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Her name is misery... One who desires the miraculous, 2023, graphite, oil pastel, oil stick, fabric dye, bleach and salt on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023
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Jan Gatewood, Essence of Bernie Mac at Def Comedy Jam (season 2) / Shared goals, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glitter, glue, and hair on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Emphasis on the use charged invisible materials - decision making, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, 3 secrets, palo santo ash on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glue and broomsticks on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023 (detail)
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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023
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Jan Gatewood, Chopped and patient narratives of the present, told in many voices, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, and debris on paper, framed, 141 x 109 cm (55 ¾ x 43 in)
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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022
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Jan Gatewood, Adopt this for freedom from the desire to be understood in totality., 2021, graphite, oil pastel, oil stick, fabric dye & salt on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Image of machines, made with machines, contributing to a show of machines. Intrigued by how I might be seen or heard here., 2021, graphite, oil pastel, oil stick, fabric dye, debris, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Instability appreciation constructed atop a foundation of failure. Life is all we have., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022
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Jan Gatewood, Delusional enough to declare this as collective concept fabrication. Magic trick on my terms., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Celebration of the arbitrary., 2021, graphite, oil pastel, oil stick, & fabric dye, on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, A friend told me “you don’t have to say everything in a show” Obviously, but is an exhibition one of the rare moments where you’re at least granted the attempt? Narcissism?, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022
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Jan Gatewood, Partial Object / Gratitude for process development, the image is a placeholder., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Notes to self / Wisdom can be eaten, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022
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Jan Gatewood, Fragmentation exposed, unity through difference (Oscarcopter)., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)
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Jan Gatewood, Agenda Activation… On the nose so to say (repetition), 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)
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