Jan Gatewood

Situated at the intersection of drawing, painting and collage, Jan Gatewood’s practice is ultimately one of resistance and subversion. Working exclusively on paper with materials that range from bleach, glue and fabric dye to salt, matcha and palo santo ash, Gatewood challenges the definition of painting and its inherent value system through works that are immediate; invitations to contest one dimensional depictions of race and representation. Drawing from an eclectic array of sources, and deeply interested in ideas of generosity within an increasingly exclusive market, Gatewood uses humour as an access point in collaboration with autonomous mark-making to materialise harmonious contradictions.

b. 1994, Aurora, Colorado, USA
Lives and works in Los Angeles, USA

Solo Exhibitions
2024

Kiang Malingue, Hong Kong (forthcoming)

Group Relations, Rose Easton, London

2023

Discrepancy Essence, Silke Lindner, New York

2022

Tiptoe Hassle, Smart Objects, Los Angeles

2020

Alas! Mocktales to Infinity, Smart Objects, Los Angeles

Group Exhibitions
2022

PEEL, Europa, New York

Group Shoe Two, Public Access, New York

Hot Concrete, K11 Musea / Woaw Gallery, Hong Kong

Salon, Amor Corp, Los Angeles

2021

The Frog Show, organized by Reilly Davidson, Harkawik, New York

Hot Concrete, Sow & Tailor, Los Angeles

Best in Show, Jack Hanley Gallery, New York

Vivid, organised by Sonya Sombreuil as part of ‘Made in L.A. 2020’, Hammer Museum, Los Angeles

2020

Hu, Harkawik, Los Angeles

2019

Replica, Insect, Los Angeles

October Group Show, Pt 2, Los Angeles

Lavender Scented Palms, Pt 2, Los Angeles

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023 (detail)

Jan Gatewood, Hattie McDaniel’s powerful lucky rabbit's foot, 2023 (detail)

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Jan Gatewood, Willingness to try, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Willingness to try, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Willingness to try, 2023 (detail)

Jan Gatewood, Willingness to try, 2023 (detail)

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Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023 (detail)

Jan Gatewood, Candidate for the hand of the boss’s daughter, 2023 (detail)

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023 (alternative view)

Jan Gatewood, Children of the Projects. The sequel (Merlin Carpenter 2002/3), 2023 (alternative view)

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Jan Gatewood, The observer and part of the observation, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, The observer and part of the observation, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, The observer and part of the observation, 2023 (detail)

Jan Gatewood, The observer and part of the observation, 2023 (detail)

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Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023 (detail)

Jan Gatewood, I am a cliché you've seen before. Thank you Poly Styrene, 2023 (detail)

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023, graphite, coloured pencil, glue, salt, fabric dye, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023 (detail)

Jan Gatewood, This meeting is being recorded. Colescott meets Beat Happening, 2023 (detail)

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Jan Gatewood, Complications of a fragmented self, 2023, graphite, coloured pencil, glue, salt, fabric dye, matcha, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Complications of a fragmented self, 2023, graphite, coloured pencil, glue, salt, fabric dye, matcha, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Complications of a fragmented self, 2023 (detail)

Jan Gatewood, Complications of a fragmented self, 2023 (detail)

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023 (detail)

Jan Gatewood, Cyclical painting reference to contemplate fanaticism and market trends. (Henry Taylor at Manuela, Los Angeles), 2023 (detail)

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Jan Gatewood, We have ethics because we are different, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, We have ethics because we are different, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, We have ethics because we are different, 2023 (detail)

Jan Gatewood, We have ethics because we are different, 2023 (detail)

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Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023 (detail)

Jan Gatewood, What do we think about irreverence as a discussion catalyst? Uncle Ruckus, 2023 (detail)

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Jan Gatewood, What’s your stance on interracial relationships?, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, What’s your stance on interracial relationships?, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, What’s your stance on interracial relationships?, 2023 (alternative view)

Jan Gatewood, What’s your stance on interracial relationships?, 2023 (alternative view)

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, How Ya Like Me Now? The sequel, 2023, graphite, colored pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, How Ya Like Me Now? The sequel, 2023, graphite, colored pencil, glue, salt, fabric dye, bleach, oil pastel, natural pigment, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, How Ya Like Me Now? The sequel, 2023 (detail)

Jan Gatewood, How Ya Like Me Now? The sequel, 2023 (detail)

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Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023, graphite, coloured pencil, glue, salt, fabric dye, bleach, oil pastel, & oil stick on paper, framed, 68 x 88 x 4 cm (26 ¾ x 34 ⅝ x 1 ⅝ in)

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Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023 (detail)

Jan Gatewood, A literary work holding up human vices and follies to ridicule or scorn, 2023 (detail)

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Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

Jan Gatewood, Group Relations, Rose Easton, 20 January – 2 March 2024

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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

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Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glue, algae debris, and bok choy on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glue, algae debris, and bok choy on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023 (detail)

Jan Gatewood, Fragmentation devices supporting one another in, atop, & outside of surface, 2023 (detail)

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Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, blueberry, and broomstick on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, blueberry, and broomstick on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023 (detail)

Jan Gatewood, Had a heady title, you know the kind that asks the big questions. Then I said… why my shit lookin like the Drake Sprite commercial?, 2023 (detail)

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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

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Jan Gatewood, My first title was too confrontational so I changed it to Awareness (in progress), rules, and perfectly ridiculous optimism, 2023 Graphite, oil pastel, oil stick, fabric dye, salt, and bleach on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, My first title was too confrontational so I changed it to Awareness (in progress), rules, and perfectly ridiculous optimism, 2023 Graphite, oil pastel, oil stick, fabric dye, salt, and bleach on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Her name is misery... One who desires the miraculous, 2023, graphite, oil pastel, oil stick, fabric dye, bleach and salt on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Her name is misery... One who desires the miraculous, 2023, graphite, oil pastel, oil stick, fabric dye, bleach and salt on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

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Jan Gatewood, Essence of Bernie Mac at Def Comedy Jam (season 2) / Shared goals, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glitter, glue, and hair on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Essence of Bernie Mac at Def Comedy Jam (season 2) / Shared goals, 2023, graphite, oil pastel, oil stick, fabric dye, salt, glitter, glue, and hair on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Emphasis on the use charged invisible materials - decision making, 2023 Graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, 3 secrets, palo santo ash on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Emphasis on the use charged invisible materials - decision making, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, 3 secrets, palo santo ash on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glue and broomsticks on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glue and broomsticks on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023 (detail)

Jan Gatewood, Her name is misery... The Marriage of process and the final product, 2023 (detail)

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Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

Jan Gatewood, Discrepancy Essence, Silke Lindner, New York, March 2023

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Jan Gatewood, Chopped and patient narratives of the present, told in many voices, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, and debris on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

Jan Gatewood, Chopped and patient narratives of the present, told in many voices, 2023, graphite, oil pastel, oil stick, fabric dye, bleach, salt, glitter, glue, and debris on paper, framed, 141 x 109 cm (55 ¾ x 43 in)

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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

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Jan Gatewood, Adopt this for freedom from the desire to be understood in totality., 2021, graphite, oil pastel, oil stick, fabric dye & salt on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Adopt this for freedom from the desire to be understood in totality., 2021, graphite, oil pastel, oil stick, fabric dye & salt on paper, framed, 152 x 112 cm (60 x 44 in)

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Missing caption

Jan Gatewood, Image of machines, made with machines, contributing to a show of machines. Intrigued by how I might be seen or heard here., 2021, graphite, oil pastel, oil stick, fabric dye, debris, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Instability appreciation constructed atop a foundation of failure. Life is all we have., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Instability appreciation constructed atop a foundation of failure. Life is all we have., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

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Missing caption

Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

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Jan Gatewood, Delusional enough to declare this as collective concept fabrication. Magic trick on my terms., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Delusional enough to declare this as collective concept fabrication. Magic trick on my terms., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Celebration of the arbitrary., 2021, graphite, oil pastel, oil stick, & fabric dye, on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Celebration of the arbitrary., 2021, graphite, oil pastel, oil stick, & fabric dye, on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, A friend told me “you don’t have to say everything in a show” Obviously, but is an exhibition one of the rare moments where you’re at least granted the attempt? Narcissism?, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, A friend told me “you don’t have to say everything in a show” Obviously, but is an exhibition one of the rare moments where you’re at least granted the attempt? Narcissism?, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

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Jan Gatewood, Partial Object / Gratitude for process development, the image is a placeholder., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Partial Object / Gratitude for process development, the image is a placeholder., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Notes to self / Wisdom can be eaten, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Notes to self / Wisdom can be eaten, 2021, graphite, oil pastel, oil stick, fabric dye, & bleach on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

Jan Gatewood, Tiptoe Hassle, Smart Objects, Los Angeles, February 2022

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Jan Gatewood, Fragmentation exposed, unity through difference (Oscarcopter)., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Fragmentation exposed, unity through difference (Oscarcopter)., 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

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Jan Gatewood, Agenda Activation… On the nose so to say (repetition), 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

Jan Gatewood, Agenda Activation… On the nose so to say (repetition), 2021, graphite, oil pastel, oil stick, & fabric dye on paper, framed, 152 x 112 cm (60 x 44 in)

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