Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Snake, À La Mode, 2025, ink, acrylic, modeling paste, gac 100, water soluble pastel, ink aid, and varnish on canvas, 121.9 x 182.9 cm
The work of the Los Angeles-based artist Parker Ito is perhaps best defined as a whole, paradoxically, by its very slippery mutability. His practice, which spans painting, sculpture, video, installation, printmaking, drawing, websites, NFTs and books, is as much about the lines that exist between disparate media and forms—in effect, the network itself—as it is about discrete pieces. Rooted in an early art-driven internet community, its elasticity reflects that of the web, and Ito’s website often serves as its own ever-evolving work-cum-exhibition-space: a mirror for the themes and images contained within the rest of his work. Rather than centering on specific subjects, Ito’s art is occupied with things, embodying ideas rather than illustrating them; he is fascinated by the effects that the internet exerts on physical objects, and by the notion of artworks or ideas whose twisty, interconnected intricacy makes them impossible to take in from a single angle. Throughout his practice, he explores the unstable flow of meaning, focusing specifically on sites where interior and exterior worlds absorb, digest, and reformat each other.
b. 1986, Ventura, California
Lives and works in Los Angeles
BFA, California College of the Arts
A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan Center for the Arts, Connecticut
The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk in the Year of the Dragon, À La Mode, Rose Easton, London
I.B.S., Scatalogical Rites of All Nations, London
medievl Times IV, The Community/Dover Street Market/NADA Salon, Paris
12 Dancing Princesses (with Juliana Halpert), Climate Control, San Francisco
ParkerIto.net, Zien.io, online
White Sands ATS-3, The Pole Gallery, Paris
Sprite X Parker (with Henry Sprite), The Handbag Factory, London
Poets, Gamblers, Fools, (with Jon Rafman), Lubov, New York
Au Jus (with Juliana Halpert), Bel Ami, Los Angeles
Medievl Times 3, Xela Art Institute, Long Beach
Carrot Cake, Imperial, Los Angeles
medievl Times [2], YAYA / viable.istanbul, Istanbul
Kimono Wednesdays with Greg Shimada, Society of Art Los Angeles, Los Angeles
Romeo Must Die, Savage Garden, Melbourne
medievl Times, DEEP, Colonno
PPP, Mother’s Tank Station, London
Longevity Buns, Château Shatto, Los Angeles
Parker Ito, Born 1986, Lives And Works In Los Angeles, Galeria Mascota, Mexico City
Citronbiskvier, CFHILL, Stockholm
Condo London, Sadie Coles HQ, London
PII, Primary, Nottingham
P, Team Gallery, New York
p, Team Bungalow, Los Angeles
Art Basel Miami Beach, Team Gallery, Miami
Art021, (with Helen Johnson), Château Shatto, Shanghai
#17, Beijing Art Now Gallery, Beijing
Genes, (with Ann Hirsch), Holiday Forever, Jackson
Eastern District Savings Bank, (with Body by Body), La Paix, Paris
Capitol Records Shit Toots x8, Three Star Books, Paris
live from the capitol records b.– i am not a human i am a disgusting piece of shit, Château Shatto, Los Angeles
Epilogue: PBBVx4.521341850524040671430546 2110190527 PPPPPPPPPPPPPP, Château Shatto, Los Angeles
Part 3: A Lil’ Taste of Cheeto in the Night, Château Shatto (off-site), Los Angeles
I Can’t Fuck You Tonight I’m Reading Proust, The Ardmore Hollywood, Los Angeles
Prelude: Cheeto Returns (Rainbow Rose Still Lifes at Kaldi Coffee and Tea), Kaldi Coffee and Tea, Los Angeles
Part 1: Parker Cheeto’s Infinite Haunted Hobo Playlist (A Dream to Some, A Nightmare to Others), Smart Objects, Los Angeles
Part 2: Maid in Heaven / En Plein Air in Cheeto Hell (My Beautiful Dark and Twisted Cheeto Problem), White Cube, London
FIAC, with New Galerie, Paris
Nothing Was the Same (John Boehner Rameses III), Luce Gallery, Turin
Air to Surface, (with Helen Johnson), Prism, Los Angeles
Parker Cheeto: The Net Artist (America Online Made me Hardcore), IMO Gallery, Copenhagen
See Also: Lai Fun, List of Pasta, Soba, Steve Turner Contemporary, Los Angeles
The Agony and the Ecstasy, Stadium, New York
Vice Versa, Tomorrow Gallery, Toronto
Anime Betty Page Fucked by Steampunk Horse Warrior (with Body by Body), Headquarters, Zurich
Creative Suite (with Paint FX), Antena Pilsen, Chicago
RGB Forever, Adobe Books Backroom Gallery, San Francisco
Barely Furtive Pleasures, Nir Altman, Munich
Paint FX Live (with Paint FX), The Future Gallery, Berlin
The Living End: Painting and Other Technologies, 1970 –2020 (with Paint FX), Museum Contemporary Art, Chicago
Out of Silence, Yuz Museum, Shanghai
Winter in America, Pop Gun, New York City
PLANT/ED: DRAWING FROM OBSERVATION, Fall River Museum of Contemporary Art, Massachusetts
At Home in the Neon, 2200 Brier, Los Angeles
Sprezzatura, As It Stands, Los Angeles
Blank. Raw. Illegible... Artists’ Books as Statements (1960-2022), Leopold-Hoesch-Museum, Duren
Studio of the South, Fondation Vincent van Gogh Arles, Arles
White Sands ATS-3, Baleno International, Rome
Smart Pawn, Smart Pawn, Los Angeles
In Bloom, MASSIMODECARLO Pièce Unique, Paris
Machines of Desire, Simon Lee, Hong Kong
Straight Ahead and Pose to Pose, Japanese American Cultural Center, Los Angeles
Dürer and After, Clark Art Institute, Williamstown
Felix Art Fair, Los Angeles, Château Shatto
Frieze, Los Angeles, Château Shatto
... of ..., at...h, at..., in..., Sifang Art Museum, Nanjing
LA Dreams, CFHILL, Stockholm
On Plane Air, Château Shatto at Air de Paris, Paris
Botánica, Berggruen Gallery, San Francisco
Welcome Too Late, Kunsthal Charlottenborg, Copenhagen
Mould Map 6 - Terraformers, Bonington Gallery, Nottingham Trent University, Nottingham
Bodacious, Museum of Contemporary Art, Denver
Redefine: Multiple Perspectives and Possibilities in Network Era, Times Museum, Guangzhou
CO-WORKERS Network as Artist, Musée d’Art Moderne de la Ville de Paris, Paris
The Heart is a Lonely Hunter, Yarat Contemporary Art Space, Baku
EVERYTHINGS: Hayden Dunham, Parker Ito, Timur Si-Qin, Andrea Rosen Gallery, New York
Beware Wet Paint, ICA London, London
Time Machine, M-Arco, Marseille
Trending, Untitled, New York
Lips Painted Red, Trondheim Kunstmuseum, Trondheim Space Whole Karaoke, Middlemarch, Brussels
TECTONIC, The Moving Museum, Dubai
Mythology Online, Polytechnical Museum, Moscow
[Internet Art Future] – Reality of Post Internet Era, NTT InterCommunication Center, Tokyo
Ghost in the Puka Shell, CourtneyBlades, Chicago
Astral Projection Abduction Fantasy, Monster Truck Gallery, Dublin
BYOB MOCA LA, Museum of Contemporary Art, Los Angeles
*new jpegs*, Johan Berggren Gallery, Malmo, Sweden
Random Rotations, The Berkeley Art Museum, Berkeley
Rat Piss Virus Give It To Me, Yautepec Gallery, Mexico City
Studio of the South, LUMA Arles, Arles
Malevich Como residency, Cernobbio, Italy
MGM Art and Culture Residency, Las Vegas
Fountainhead Residency, Miami
People’s Gallery Summer Residency, San Francisco
Yozo Hamaguchi Printmaking Award, California College of the Arts
All College Honors, California College of the Arts
Jerrold B. Whitney Memorial Scholarship, California College of the Arts
Trustees’ Scholarship, California College of the Arts
Aishti Foundation, Beirut
Booth School of Business, University of Chicago
Deji Museum, Nanjing
Domus Collection, New York
Fondazione Sandretto Re Rebaudengo, Turin
Getty Research Institute, Los Angeles
Henry Art Gallery, Seattle
Institute of Contemporary Art, Miami
M+ Museum, Hong Kong
MGM, Las Vegas
New Century Art Foundation, Shanghai
PCP Collection, Taipei
Princeton University, New Jersey
Rachofsky Collection, Dallas
Sifang Art Museum, Nanjing
The Musée d’Art Moderne de la Ville de Paris, Paris
United Talent Agency, Los Angeles
Wesleyan University, Connecticut
X Museum, Beijing
YUZ Museum, Shanghai
Internal Exhibitions
Fairs
External Exhibitions


Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Snake, À La Mode, 2025 (detail)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Snake, À La Mode, 2025 (detail)

Parker Ito, A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan University Center for the Arts, Connecticut, 28 January – 2 March 2025

Parker Ito, A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan University Center for the Arts, Connecticut, 28 January – 2 March 2025

Parker Ito, A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan University Center for the Arts, Connecticut, 28 January – 2 March 2025

Parker Ito, A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan University Center for the Arts, Connecticut, 28 January – 2 March 2025

Parker Ito, A Lil’ Taste of A Lil’ Taste of Cheeto in the Night, Wesleyan University Center for the Arts, Connecticut, 28 January – 2 March 2025

Parker Ito, visions of the Pilgrim's Printer Progress from this world, to that which is to come (adaptive stipple 1), 2024, photosensitive dyes, graphite, paper, and gac 100 on jute, 162.6 x 116.8 x 2.5 cm

Parker Ito, The Ag0ny @nd the3 3xst$cy, 2024, Ink, dimensions variable

Parker Ito, The Ag0ny @nd the3 3xst$cy, 2024

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk in the Year of the Dragon, À La Mode, Rose Easton, 2 November - 14 December 2024

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode (scanner sculpture), 2024 (detail)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode (scanner sculpture), 2024 (alternative view)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode (scanner sculpture), 2024 (alternative view)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode (scanner sculpture), 2024 (detail)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode (scanner sculpture), 2024 (detail)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk in the Year of the Dragon, À La Mode, part 2, 2024, ink, acrylic, modelling, paste, water soluble pastel, ink aid, GAC 100, paper and varnish on canvas, 203 x 305 x 3 cm

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk in the Year of the Dragon, À La Mode, part 2, 2024 (detail)

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk in the Year of the Dragon, À La Mode, Rose Easton, 2 November - 14 December 2024

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode #1, 2024, ink, acrylic, modelling paste, ink aid, GAC 100 and varnish on canvas, 50.8 x 40.6 x 2.5 cm

Parker Ito, The Pilgrim’s Sticky Toffee Pudding Gesamtkunstwerk, in the Year of the Dragon, À La Mode #3, 2024, ink, acrylic, modelling paste, ink aid, GAC 100 and varnish on canvas, 50.8 x 40.6 x 2.5 cm

Parker Ito, Plant/ED: Drawing From Observation, Fall River Museum of Contemporary Art, Massachusetts, 23 February – 25 May 2024

Poets, Gamblers, Fools, Lubov, New York, 4 November – December 31 2023

Parker Ito, visions of the Pilgrim's Printer Progress from this world, to that which is to come (Adi Hacker's 11880 palimpsest), Ink, acrylic, modeling paste, paper, and varnish on canvas, 2023, 162.5 x 116.8 cm

Parker Ito, visions of the Pilgrim's Printer Progress from this world, to that which is to come (Liquitex's modeling paste vs. Golden's molding paste), Ink, acrylic, flashe, modeling paste, paper, and varnish on canvas, 2023, 162,5 x 116,8 cm

Poets, Gamblers, Fools, Lubov, New York, 4 November – December 31 2023

Parker Ito, visions of the Pilgrim's Printer Progress from this world, to that which is to come (B.T.G.F.), photosensitive dyes, ink, acrylic, paper, and gac 100 on jute, 2023, 162,5 x 116,8 cm

Parker Ito, visions of the Pilgrim's Printer Progress from this world, to that which is to come (genres: from this reticulation, to that which is to come), Ink, acrylic, modeling paste, paper, and varnish on canvas, 2023, 162,5 x 116,8 cm

Parker Ito, PPP, Mother's Tankstation London, 30 September – 12 December 2020

Parker Ito, red light, oil on linen, 2020, 203.2 x 152.4 cm

Parker Ito, PPP, Mother's Tankstation London, 30 September – 12 December 2020

Parker Ito, Me in the Studio w/ Red Hat Render (copper tacks), 2020, Oil on linen, copper tacks, Diptych: 40.6 x 30.5 cm each

Parker Ito, tray, modified photo colour scanner, stainless steel, live orchid(s), white bronze clips, extension cord, 2020, 27.9 x 54.6 x 47.6 cm

Parker Ito, renaissance, modified photo colour scanner, bronze, extension cord, 2020, 27.9 x 54.6 x 47.6 cm

Parker Ito, Longevity Buns, Chateau Shatto, Los Angeles, 8 February - 4 April 2020

Parker Ito, Longevity Buns, Chateau Shatto, Los Angeles, 8 February - 4 April 2020

Parker Ito, Me in the Studio w/ Red Hat Render (chains 1), oil on linen, 2020, 40.6 x 30.5 cm

Parker Ito, Longevity Buns, Chateau Shatto, Los Angeles, 8 February - 4 April 2020

Parker Ito, V550 / Me in the Studio w/ Red Hat (R198G15B25), modified photo color scanner, stainless steel, extension cord, 2020, 27.9 x 54.6 x 47.6 cm

Parker Ito, good luck charm, oil on linen, 2020, 203.2 x 152.4 cm

Parker Ito, Me in the Studio w/ Red Hat Render (b&w), oil on linen, 2020, 40.6 x 30.5 cm

Parker Ito, Parker Ito, born 1986, lives and works in Los Angeles, Galería Mascota, 23 November 2019 - 21 January 2020

Parker Ito, Apartment: Clippings, Studio / Effects, 2019, Still

Parker Ito, Parker Ito, born 1986, lives and works in Los Angeles, Galería Mascota, 23 November 2019 - 21 January 2020

Parker Ito, P, 2018, Oil on linen, 335.28 x 248.92 cm

Parker Ito, Sunglasses, 2018, Oil on linen, 203.2 x 152.4 cm

Parker Ito, Welcome Too Late, Kunsthal Charlottenborg, Copenhagen, 18 March – 28 May, 2017

Parker Ito, Welcome Too Late, Kunsthal Charlottenborg, Copenhagen, 18 March – 28 May, 2017

Parker Ito, Western Exterminator/Kernel Kleenup/Little Man/Pesterminator, 2013-2015. (Automotive violet with parts) bronze, anodized automotive parts, automotive paint, nickel plating, hanging hardware

Parker Ito, MCMLXXXVI - MMXVI, 1986 – 2016, Chrome plated iron with red thread, 20 x 10 x 2 in

Parker Ito, A Lil’ Taste of Cheeto in the Night, Chateau Shatto, 24 January - 9 May 2015

Parker Ito, A Lil’ Taste of Cheeto in the Night, Chateau Shatto, 24 January - 9 May 2015

Parker Ito, A Lil’ Taste of Cheeto in the Night, Chateau Shatto, 24 January - 9 May 2015

Parker Ito, PPPPPPPPPPPPPPPPPPPP, 2013-2015, oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware, 309.8 x 243.8 x 6.35 cm

Parker Ito, The insides of my eyeballs is a skatepark in my studio (A network of some sorts / political / ladder painting) , 2013-2015, oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware, 310 x 244 x 6.3 cm

Parker Ito, Attitude problem / double trouble valley girl swagman (hocus pocus 2), 2013-2015, oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware (Recto / Verso), 309.8 x 243.8 x 6.35 cm

Parker Ito, The Razzle Dazzle of Inhaling B67 Fumes w/ Chains / Kombucha Dog (The Road to the Sleep Deprivation), 2013-2015, oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware (Recto / Verso), 310 x 244 x 6 cm

Parker Ito, Epilogue: Jeanne d'Arc #3, 2015, oil on canvas stretched on wood panel, 30.5 x 45.7 cm

Parker Ito, One Love, Everyday people tell me jelly manhood I'm wearing those pants now, I'm pretty creative (Essay coming soon), 2013-2015, Oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware, 310 x 244 x 6.3 cm

Parker Ito, Me in the Studio w/ Red Hat, 2014, Oil on canvas on panel, 45.7 x 30.5 cm

Parker Ito, A Lil Taste of Cheeto in the Night (En Plein Air Decision Fatigue), 2013-2015, oil on canvas, acrylic on aluminum strainers, artist frame, hanging hardware, 309.8 x 243.8 x 6.3 cm