Arlette (b. 1998, Mexico City, Mexico), lives and works in Guadalajara, Mexico. She received her BA from Central Saint Martins, London in 2022. Recent solo and two-person exhibitions include: Luxury is personal (with Martine Syms), anonymous with Relaciones Públicas hosting Rose Easton for Condo Mexico City, MX (2024) and José, Rose Easton, London, UK (2023). Selected group exhibitions include: SL x RE, Silke Lindner, New York, US (2024); On the edge of fashion, Rose Easton, London, UK (2023); WORLD FAMOUS BABYLON, Barbican Arts Group Trust, London, UK (2022); Auftrebende Kunstler, Proyecto Paralelo – Recorrido Zona Maco, Mexico City, MX (2022); Talabarteria Malcriada 2021, Espacio Union, Mexico City, MX (2021) and Sonic Event, Lethaby Gallery, London, UK (2019)

Cara Benedetto (b. 1979, Wausau, United States) lives and works in Richmond, United States. She received her MFA from Columbia University in 2009. Benedetto has had solo and two-person exhibitions at Chapter NY, New York; Night Gallery, Los Angeles; Michael Jon Gallery, Detroit; Art Metropole, Toronto; and Young Art Gallery, Los Angeles; among others. Her work has been included in group exhibitions at Kunsthalle Wien, Vienna; the Hite Art Institute, Louisville; The Pit, Los Angeles; The Blueproject Foundation, Barcelona; The Jewish Museum, New York; Art in General, New York; Cooper Cole, Toronto; and the Museum of Modern Art, Warsaw; among others. Benedetto is the author of two romance novels, The Coming of Age and Burning Blue, and is the editor of Contemporary Print Handbook, published with Halmos. In 2020, Benedetto published her first collection of short stories, Origin of Love and Other Tales of Degradation. WGW is Benedetto's first solo exhibition in the UK.

Eva Dixon (b. 1990, Philadelphia, USA) lives and works in Berlin, Germany. She received her BFA in 2012 from the Rhode Island School of Design before completing an MFA at the Städelschule, Frankfurt am Main, in 2020. Recent solo and two-person exhibitions include: Soft Circuits, Quiet Tremors, KLEMM’S, Berlin, DE (forthcoming, 2026); Arc of Echoes, Fitzpatrick Gallery, Paris, FR (2025); Lumen/Body, Sundogs, New York, US (2024); Harmonic Drift (with Lena Kuroda), P/////AKT, Amsterdam, NL (2023); and Signal Bloom, Galerie Anita Beckers, Frankfurt, DE (2022). Group exhibitions include: Unmapped Gestures, Kunstverein Braunschweig, DE (2025); Interference Patterns, Kunsthalle Lissabon, PT (2024); New Syntax, Bonington Gallery, Nottingham, UK (2023); Field Condition, Museum Kurhaus Kleve, DE (2022); and Choreographies of Matter, König Galerie, Berlin, DE (2021). In 2023, Dixon was awarded the Deutsche Börse Studio Grant, and her work was acquired by the Sammlung Philara, Düsseldorf. In 2026, she will present a new site-specific installation for Tempelhof Projekt, Berlin, DE.

Phillip Gabriel (b. 1983, Jacksonville, United States) lives and works in New York City, United States. Selected solo exhibitions include: In Media Res, American Art Catalogues, New York (2024); Phillip Gabriel, AND NOW, Dallas, US (2022); Vigilator, Ramiken, New York (2021); Vigilator, AND NOW, Dallas (2020); Eidolons, Ramiken, New York (2019). Selected group exhibitions include: AND NOW @ LOMEX, Lomex, New York, (2024); Dream Journal, Company Gallery, Group, New York (2023); Window Maker, American Art Catalogues, New York, (2023); Mahler & LeWitt Studios Residency, Spoleto, Italy, (2022); 389, Ramiken, New York (2021) and Lentils (not Spaghetti), Ramiken, New York (2017).

Jan Gatewood (b. 1994, Aurora, United States) lives and works in Los Angeles, United States. Recent solo exhibitions include: It’s Very You, Kiang Malingue, Hong Kong (2024); Group Relations, Rose Easton, London (2024); Discrepancy Essence, Silke Lindner, New York (2023) and Tiptoe Hassle, Smart Objects, Los Angeles (2022). Selected group exhibitions include: Ponyshow, Amity, Los Angeles (2025); Group Shoe Two, Public Access, New York (2022); PEEL, Europa, New York (2022); Best in Show, Jack Hanley Gallery, New York (2021) and Vivid organised by Sonya Sombreuil as part of Made in L.A., Hammer Museum, Los Angeles (2020). His work is in the permanent collection of the Rose Art Museum, Waltham, USA.

Eva Gold (b. 1994, Manchester, United Kingdom) lives and works in London, United Kingdom. After completing her BA at Goldsmiths, University of London in 2016, Gold went on to complete a Postgraduate Diploma at the Royal Academy of Art, London in 2019. Recent solo and two-person exhibitions include: To be animal, Rose Easton, London (2025); Shadow Lands, Silke Lindner, New York (2024); City of Rooms (part one) with Louise Bourgeois, Rose Easton, London (2023); City of Rooms (part two), Rose Easton at The Shop, Sadie Coles HQ, London (2023); Slow Dance, Eigen+Art Lab, Berlin (2022); The Last Cowboys, Ginny on Frederick, London (2022) and Perv City, at Parrhesiades in collaboration with Goldsmiths Centre for Contemporary Art, London (2020). Selected group exhibitions include: Male Extinction, curated by Massimiliano Scuderi for Galleria Solito, Naples, IT (2025); STEADYSTATE, ZERO..., Milan, IT (2025); Air de Repos, CAPC Musée d’art contemporain de Bordeaux, FR (2025); SL x RE, Silke Lindner, New York (2024); Channel, organised by Figure Figure, CACN Centre d’Art Contemporain de Nîmes, FR (2024); The Living House, Van Gogh House, London (2023); Stilled Images, Tube Gallery, Palma de Mallorca (2023); Ideal Shapes of Disappearing, Silke Lindner, New York (2023); Not before it has forgotten you, Nicoletti, London / The Pole Gallery, Paris (2022); Lock Up International, Brussels (2022); SEX, Rose Easton, London (2022); Corps, MAMOTH, London (2021); Sets & Scenarios, Nottingham Contemporary, Nottingham (2020); Barely Furtive Pleasures, Nir Altman, Munich (2020) and General Meeting, Freehouse, London (2019). Her work is in the permanent collection of Astrup Fearnley Collection, Oslo.

Shamiran Istifan (b. 1987, Baden, Switzerland) lives and works in Zurich, Switzerland. Recent and forthcoming solo exhibitions include: Gnossienne Gallery, London (forthcoming); Precious Pipeline, Rose Easton, London (2022); Law&Order, Kulturfolger, Zurich, Switzerland (2021); G by Destiny, All Stars, Lausanne, Switzerland (2021) and Micro Entities, Material, Zurich, Switzerland (2020). Selected group exhibitions include: WANAWAL Archives, curated by Evar Hussayni, FORMA Arts, London (forthcoming); Saccharine Symbols, Rose Easton, London (2023); In the Green Escape of my Palace, Studio Chapple, London (2022); Swiss Art Awards, Messe Basel, Basel (2022); Reflection is the Daughter of the Scandal, Angela Mewes, Berlin (2021); As We Gaze Upon Her, Warehouse421, Abu Dhabi (2021); Depuis des Lunes, Urgent Paradise, Lausanne (2021); 5th Floor, Centre d’Art Contemporain, Geneva (2021) and Nour el Ain, Karma International, Zurich (2021). In September 2021, she was awarded the Werkschau Prize by Kanton of Zurich for her work Ex Amore Vita: Ladies’ Room, 2021. Istifan is currently completing the City of Zurich residency and working on a Malerbuch collection book for the Kunsthaus Zurich.

Parker Ito (b. 1986, Ventura, United States) lives and works in Los Angeles, United States. He has had solo and two-person exhibitions at The Community, Paris; Bel Ami, Los Angeles; Lubov, New York; MASSIMODECARLO, Paris; mother’s tankstation, London; Château Shatto, Los Angeles; GaleriaMascota, Mexico City; Team Gallery, New York and Los Angeles; Beijin Art Now Gallery, Beijing; Holiday Forever, Jackson; Smart Objects, Los Angeles; White Cube, London; amongst many others. Ito’s work has been included in group exhibitions at Clark Institute, Williamstown; Sifang Art Museum, Nanjing; Air de Paris, Paris; KunsthalCharlottenborg, Copenhagen; Museum of Contemporary Art, Denver; Times Museum, Guangzhou; Musée d’Art Moderne de la Ville de Paris, Paris; Yarat Contemporary Art Space, Baku; ICA London, London; The Moving Museum, Dubai; NTT InterCommunication Center, Tokyo; Museum of Contemporary Art, Los Angeles; amongst many others. Ito’s work is in the following collections: Aishti Foundation, Beirut; X Museum, Beijing; Booth School of Business, Chicago; Rachofsky Collection, Dallas; Getty Research Institute, Los Angeles; Institute of Contemporary Art, Miami; Sifang Art Museum, Nanjing; Domus Collection, New York; The Musée d’Art Moderne de la Ville de Paris, Paris; Henry Art Gallery, Seattle; YUZ Museum, Shanghai; New Century Art Foundation, Shanghai; PCP Collection, Taipei and Fondazione Sandretto Re Rebaudengo, Turin.

Cary Kwok (b. 1975, Hong Kong, Hong Kong) lives and works in London, United Kingdom. Cary Kwok lives and works in London, United Kingdom. Recent solo and two-person exhibitions include: Cary Kwok, Herald St, London, UK (2016); Herald St, London, UK (2012); Qipao, ART HK 12, Hong Kong (2012); Obsession, The Flag Art Foundation, New York, US (2010); Desire (Series 2), Opening Ceremony, Tokyo, JP (2010); Desire, Herald St, London, UK (2009); Cary Kwok, Galerie Emmanuel Perrotin, Miami, US (2008); Cary Kwok, Herald St, London, UK (2007); and Plumage, Herald St, London, UK (2005). Group exhibitions include: SFW, Forward Assembly, Hong Kong (2016); Bloody Life, Supportico Lopez in collaboration with Herald St, Herald St, London, UK (2016); Folly, curated by Emalin, Dunmore Pineapple, Airth, Falkirk, UK (2016); Takashi Murakami’s Superflat Collection – From Shohaku and Rosanjin to Anselm Kiefer, Yokohama Museum of Art, Yokohama, JP (2016); Nirvana. Strange Forms of Pleasure, Gewerbemuseum, Winterthur, CH (2015); Portes ouvertes: Expositions – rencontres – multiples, Hard Hat, Geneva, CH (2014); Lupanar, FORMA Art Contemporain & Cabinet d’Expertise, Lausanne, CH (2014); Nirvana. Strange Forms of Pleasure, mudac – Musée de design et d’arts appliqués contemporains, Lausanne, CH (2014); Somos Libres II, Pinacoteca Gianni e Marella Agnelli, Turin, IT (2014); Keep Your Timber Limber, ICA, London, UK (2013); Joyce Boutique, Beijing, CN (2011); British Comic Art, Tate Britain, London, UK (2010); Herald St at Taro Nasu, Tokyo, JP (2010); Top 10 Allegories, curated by Hard Hat, Francesca Pia Gallery, Zurich, CH (2009); Directions, A Palazzo Gallery, Brescia, IT (2009); The Three F’s, curated by Megan Sullivan, Freymond Guth, Zurich, CH (2009); Wall Rockets, curated by Lisa Dennison, FLAG Art Foundation, New York, US (2008); Attention to Detail, curated by Chuck Close, The FLAG Art Foundation, New York, US (2007); Hard Hat, Geneva, CH (2007); Salon Nouveau, curated by Jasper Sharp, Engholm Engelhorn Gallery, Vienna, AT (2007); London in Zurich, Hauser & Wirth, Zurich, CH (2005); Herald St & The Modern Institute Present, Gavin Brown’s Enterprise, New York, US (2005); Other People’s Projects, curated by Herald St, White Columns, New York, US (2005); Curb Your Enthusiasm, Millers Terrace, London, UK (2004); and Zoo Art Fair, Millers Terrace, London, UK (2004).

Louis Morlæ (b. 1992, Melbourne, Australia) lives and works in London, United Kingdom. He received his BA in 2014 from Manchester School of Art before completing a Postgraduate Diploma at the Royal Academy of Arts, London in 2023. Recent solo and two-person exhibitions include: Tranen, Hellerup, DK (forthcoming, 2026); SFB2, Artissima, Turin, IT (2025); $ID3FA££ $YNDR0M3, Rose Easton, London, UK (2025); Aut-OOO-Arcadia, Somerset House, London, UK (2025); All Watched Over by Emissaries of Loving Grace, Duarte Sequeira, Braga, PT (2023); Machinochrome Dreams, Rose Easton, London, UK (2022); Press (with Lucas Dupuy), Final Hot Desert, Isle of Sheppey, UK (2022) and Behold a Figure, Serpentine, Soft Opening, London, UK (2018). Group exhibitions include: Rooms in Rhymes, EKKM Contemporary Art Museum of Estonia, Tallinn, EE (2025); The Place of Waiting, Gathering at ECHO, Cologne, DE; SL x RE, Silke Lindner, New York, US (2024); Grot, The Horse Hospital, London, UK (2019) and The Belly and the Members, Cob Gallery, London, UK (2017). In 2023, he was awarded The Keeper’s Prize and two of his works entered the permanent collection of The Royal Academy of Arts, London. In 2026, Morlæ will realise a new public commission for Bold Tendencies, London, UK.

Amanda Moström (b. 1991, Umeå, Sweden) lives and works between Ålbo, Sweden and London, United Kingdom. She received her BA from City and Guilds, London in 2016. Selected solo exhibitions include: Douglas, Rose Easton, London (2025); itsanosofadog *It’s an arse of a dog, Rose Easton, London (2023); Participating in a chair, Castor, London (2019); Matriarch beach, Galerie Chloe Salgado, Paris (2019) and Doing it in the park, doing it after dark, Castor, London (2018). Recent and forthcoming group exhibitions include: SL x RE, Silke Lindner, New York (2024); The Reactor, The Sunday Painter, London (2023); SEX, Rose Easton, London (2022); Under the volcano, Studio Block m74, Mexico City (2020); Room 237, Bubenberg and Contemporaines, Paris (2019); Hopp och Lek Pt.2, a collaborative project with Lucas Dupuy at Block House, Tokyo (2019); Architecture of Change, Void Gallery, Derry, Northern Ireland (2018) and Bloomberg New Contemporaries at Block 336, London (2017).

Jack O’Brien (b. 1993, London, United Kingdom) lives and works in London, United Kingdom. Recent solo and two-person exhibitions include: A Formality, Ordet, Milan, IT (2025); Cue the Cue, Kestner Gesellschaft, Hanover, DE (2025); Cascade, Capitain Petzel, Berlin, DE (2025); The Reward, Camden Art Centre, London, UK (2024); Nectar, Matthew Brown Gallery, Los Angeles, US (2024); Love Triangle, Aro, Mexico City, MX (2024); The Theatre and Its Double, Between Bridges, Berlin, DE, curated by Viscose Journal (2023); The Answer, Sans Titre, Paris, FR (2023); To More Time, Lockup International, London, UK (2022); The Influence of Emotions on Associated Reactions, with Henryk Morel (1937–68), Polamagnetczne Gallery, Warsaw, PL (2022); Waiting For The Sun To Kill Me, Ginny on Frederick, London, UK (2021); Chew, if only you could see., clearview.ltd, London, UK (2018); and This thing bled acid., White Cubicle, London, UK (2018). Selected group exhibitions include: Partenaires Particulaires, Fondation CAB Saint-Paul de Vence, FR (2025); An Uncommon Thread, Hauser & Wirth, Somerset, UK (2025); Air de repos (Breathwork), CAPC Musée d’Art Contemporain de Bordeaux, FR (2024); Subliminal archipelagos, Clima Gallery, Milan, IT (2024); Program, Matthew Brown Gallery, New York, US (2024); Poetics & politics of maintenance: Show you are not the light I called to but the darkness behind it, Fluent, Santander, ES (2024); Non-Specific Objects, Capitain Petzel, Berlin, DE (2024); Right now, Wrong then, Kings Leap, New York, US (2024); Reading Stones, Linseed, Shanghai, CN (2023); Stick N Poke, Kunsthaus Zurich, CH (2023); Support Structures, Gathering, London, UK (2023); Memory of Rib, N/A Gallery, Seoul, KR (2022); Absence Makes The Heart, General Information, London, UK (2022); Chômage Technique, Lovaas Projects, Munich, DE (2022); Something is Burning, Kunsthalle Bratislava, SK (2022); I wish you a very outside, Dzialdov, Berlin, DE (2022); An Insular Rococo, Hollybush Gardens, London, UK (2022); MELTDOWN, Ridley Road Project Space, London, UK (2022); CRAVE, SET, London, UK (2021); Latent Longing, Intersticio, London, UK (2021); Sky-blue and green, V.O Curations, London, UK (2020); You, Me and Everybody Else, One Room, London, UK (2019); Pervilion, The Silver Building, London, UK (2019); Unearthing, Beckys, London, UK (2018); Strange Messengers, Peres Projects, Berlin, DE (2018); Nous Nous Embrassons, 4Cose, London, UK (2018); Hot Retaliations (and Other Acts of Revenge), clearview.ltd, London, UK (2017); Mons Mensae Pavilion, London, UK (2017); Iron Mountains – 24, Raven Row, London, UK (2016); and Orson Casual Open, Tank.TV, London, UK (2015).

Beatriz Olabarrieta (b. Bilbao, Spain) lives and works between the Basque Country and London, United Kingdom. She holds a degree in Philosophy from the University of Deusto, Bilbao, a degree in Sculpture from Wimbledon School of Art, London, and a Master’s degree in Sculpture from the Royal College of Art, London. Recent and forthcoming solo exhibitions include: Still Make City Mistakes, Nave Sierra, Madrid, ES (forthcoming, 2026); Next of Kin, Rose Easton, London, UK (forthcoming, 2026); Proximity, Shahin Zarinbal, Berlin, DE (2024); I Like to Watch, etHall, Barcelona, ES (2024); Coyote, Marta Cervera, Madrid, ES (2022); Lagom (de lugar), Okela, Bilbao, ES (2022); Medium, CentroCentro, Madrid, ES (2020); Faces, Espai 13, Fundació Joan Miró, Barcelona, ES (2020); Stay Twice, Kunstverein Bielefeld, Bielefeld, DE (2019); Ask the Dust, Museum of Contemporary Art Santa Barbara, CA, US (2019); New Clear Family, Frankfurt am Main, Berlin, DE (2018); Meeting a Double Agent, Syntax, Lisbon, PT (2017); Clever to Follow Goat, Ciaccia Levi, Paris, FR (2017); The Only Way Out Is In, The Sunday Painter, London, UK (2017); Book! Don’t Tell Me What to Do, Parallel Oaxaca, Mexico City, MX (2017); Dumb Bells, Saturday Live, Serpentine Galleries, London, UK (2016); Pocketful, Platform Residency, Site Gallery, Sheffield, UK (2016); Cosmic Clap, MOT International, London, UK (2015); Plot Bunny, Northern Gallery for Contemporary Art, Sunderland, UK (2015); Shifty Show, Cell Project Space, London, UK (2014); Artist of the Day, Flowers Gallery, London, UK (2014); Ever Curve the Weather, solo presentation with MOT International, Opening Section, ARCO, Madrid, ES (2013); Scene 10: What Happens When All Characters Leave the Stage, curated by FormContent for the 7th Liverpool Biennial, Liverpool, UK (2012); Motor Motor, Praxis Programme, Artium Museum, Vitoria-Gasteiz, ES (2012); and Foliage, MOT International, Brussels, BE (2012). Group exhibitions include: A Corner in Wheat, Dilalica, Barcelona, ES (2024, 2023); Imboscata, Bosco Sensoverde Corniola, Empoli, IT (2023); Hin und Her, Kunstquartier Bethanien, Berlin, DE (2023); Ple de Forats, Centre d’Arts Santa Mònica, Barcelona, ES (2023); Studio Burr / Gaviota, Madrid, ES (2023); New Works, selected by Sophie Lee, Callie’s, Berlin, DE (2022); I Wish You a Very Outside, DZIALDOV, Berlin, DE (2022); All the Living Friends, TACA, Palma de Mallorca, ES (2022); The Tongue Says Loneliness, Pradiauto, Madrid, ES (2021); Silenzio, Giorgio Galotti, IT (2020); The Wasserman Kids, Et al., San Francisco, CA, US (2020); and Counter Acts, Lethaby Gallery, London, UK (2020).

Magali Reus (b. 1981, The Hague, Netherlands) lives and works in London, United Kingdom. She studied at Gerrit Rietveld Academie in Amsterdam, completed a BA in Fine Art at Goldsmiths College, London, and later earned an MFA at Goldsmiths College. She also attended the Rijksakademie van Beeldende Kunsten, Amsterdam. Recent and upcoming solo and two-person exhibitions include: Tales and Reals, Museum Beelden Aan Zee, The Hague, NL (2026); Full House, Mai 36 Galerie, Zürich, CH (2025); Parallel Bones, KM21, The Hague, NL (2024); Our Volumes, Museum Kurhaus Kleve, Kleve, DE (2024); Of Root, Galerie Fons Welters, Amsterdam, NL (2024); Off Script (Arnaldo Pomodoro Sculpture Prize exhibition), Museo del Novecento, Milan, IT (2024); Hotels, Galerie Greta Meert, Brussels, BE (2024); Deeper Green, Kunsthalle Bratislava, Bratislava, SK (2023); Le Plat Principal, Centre d’art contemporain – Synagogue de Delme, Delme, FR (2023); On Like Scenery, Museum Dhondt-Dhaenens, Sint-Martens-Latem, BE (2022); XII, The Approach, London, UK (2022); And Orchard, François Ghebaly, Los Angeles, US (2022); A Sentence in Soil, Nasher Sculpture Center, Dallas, US (2022); Shadow Tonics, Galerie Fons Welters, Amsterdam, NL (2022); Pale Planets, Galeria Nuno Centeno, Porto, PT (2021); Earth Stretched at Noon, Sommer Contemporary Art, Tel Aviv, IL (2021); Stem Systems, The Approach, London, UK (2021); Private Road, Galerie Eva Presenhuber, New York, US (2019); As Mist, Description, South London Gallery, London, UK (2018); Night Plants, Kunstmuseum St. Gallen, St. Gallen, CH (2017); Hot Cottons, Bergen Kunsthall, Bergen, NO (2017); Mustard, Stedelijk Museum, Amsterdam, NL (2016); Quarters, Fondazione Sandretto Re Rebaudengo, Turin, IT (2016); Particle of Inch, The Hepworth Wakefield, Wakefield, UK (2015); Halted Paves, Westfälischer Kunstverein, Münster, DE (2015); Spring for a Ground, SculptureCenter, New York, US (2015); In Lukes and Dregs, The Approach, London, UK (2014); Out of Empty, Albert Baronian, Brussels, BE (2013); Highly Liquid, Galerie Fons Welters, Amsterdam, NL (2013); On, The Approach, London, UK (2011); Weekend, Galerie Fons Welters, Amsterdam, NL (2010); Background, IBID Projects, London, UK (2010); Background, La Salle de Bains, Lyon, FR (2009); Some Surplus, Plan B Projects, Amsterdam, NL (2009); The Angle Between Two Walls (with Brock Enright), MOT International, London, UK (2008); A Billion Balconies Facing the Sun, Galerie Fons Welters, Amsterdam, NL (2006). Selected group exhibitions include: News From the Near Future: 30 Years of Fondazione Sandretto Re Rebaudengo, Turin, IT (2025); Collection, 1980–Now: Tomorrow Is a Different Day, Stedelijk Museum, Amsterdam, NL (2025); Second Body, David Kordansky Gallery, Los Angeles, US (2025); Void Vortex, Kunstmuseum St. Gallen, St. Gallen, CH (2025); 40 Jaar, Galerie Fons Welters, Amsterdam, NL (2025). Previous group exhibitions also include shows at Super Dakota, Brussels; Kestnergesellschaft, Hanover; Kunstmuseum Winterthur, Winterthur; Fridericianum, Kassel; LUMA Westbau, Zürich; Kunsthalle Wien, Vienna; David Roberts Art Foundation, London; and the touring exhibition British Art Show 8, among others.

Tasneem Sarkez (b. 2002, Portland, United States), lives and works in New York City, United States. She received her BFA from NYU in 2024. Solo exhibitions include White-Knuckle, Rose Easton, London (2025). Selected group exhibitions include: we know nothing about people who don’t cry, Romance, Pittsburgh (2025); SL × RE, Silke Lindner, New York (2024); WANAWAL Archives, curated by Evar Hussayni, FORMA Arts, London (2024); Dirt in the Eye, Gnossiene Gallery, London (2024); Saccharine Symbols, Rose Easton, London (2023); Me and you and me and, SADE Gallery, Los Angeles, US (2023); Printing the Future, Diefirma Gallery, New York (2022) and Liminal Space, curated by Annabelle Park, 42 Rivington Street, New York (2021). In 2023 she received the Martin Wong Award from the Martin Wong Foundation. Her work is in the collection of the Thomas J. Watson Library in the Metropolitan Museum of Art, New York.

Lara Shahnavaz (b. 1995, London, United Kingdom) lives and works in London, United Kingdom. She graduated from the Ruskin School of Fine Art (University of Oxford) in 2016 before completing postgraduate study at the Slade School of Fine Art, University College London in 2019. Group exhibitions include: Crude Hints (Towards), Ginny on Frederick at Frieze No.9 Cork Street, London, UK (2025); On feeling, The Approach, Bethnal Green, London, UK (2024); Transatlantico, Mana Contemporary, Jersey City, USA (2020–21) and NEW RUINS, Soft Opening, London, UK (2019).

Andrew Sim (b. 1987, Glasgow, Scotland) lives and works in New York, NY. Recent solo exhibitions include: a pink horse with a rainbow and stars, Anton Kern Gallery and The Modern Institute, Los Angeles, CA (2025); Two pink birds with a gold nest, Anton Kern Gallery, New York, NY (2024); a major outdoor commission for Jupiter Artland, Edinburgh, Scotland (2024); Four rainbows, three werewolves, four trees, four santas & five horses (one with wings), Beyond The Modern Institute, 1–4 Walker’s Court, London, UK (2023); Andrew Sim at WINDOW, Anton Kern Gallery, New York, NY (2023); a sunflower, six trees, three birds, and two horses (one with wings), The Modern Institute, Glasgow, Scotland (2023); Four Horses and a Sunflower (Actual Size), The Modern Institute, Aird’s Lane Bricks Space, Glasgow, Scotland (2022); Heal the sick, raise the dead, Glasgow International Visual Art Festival, Glasgow, Scotland (2020); We Two Bigfoots Together Clinging, Prouddick HQ, London, UK (2020); and New Sodom will be a shining city on a hill, Summerhall, Edinburgh, Scotland (2019). Earlier exhibitions include the group presentation Henni Alftan, Matt Hilvers, Ruth Ige, Andrew Sim, KARMA, New York, NY (2019). Group exhibitions include: Brilliant Cut, Gallery Baton, Seoul, South Korea (2023); To be a giant and keep quiet about it, Margot Samel, New York, NY (2022); and Heaven to See, Glasgow International Visual Art Festival, Glasgow, Scotland (2018).

Mary Stephenson (b. 1989, London, United Kingdom) lives and works in London, United Kingdom. She studied at The Glasgow School of Art (2011) and is currently a student at The Royal Academy of Arts (2023). Selected solo exhibitions include Soft Serve, Linseed Project, Shanghai (2022); Suddener Than We Fancy, Incubator, London (2022) and Egg Roll Play, After Nyne Gallery, London (2019). Selected group shows include Interior, Michael Werner Gallery, London (2022); Civil Twilight, Ginny On Frederick, London (2022); Premiums Interim Show - Royal Academy of Arts, London (2022); Contrappunto, Vin Vin Gallery, Vienna (2021); Watch The Fire From The Shore, Linseed Project, Shanghai (2021); DISCO, Fitzrovia Chapel, London (2021); Fertile Spoon, Bosse & Baum, London (2021); Staying Sane,Berntson Bhattacharjee, Skanor, Sweden (2020); Preview London, Bosse & Baum, London (2020); Marigolds,Harlesden High Street, London (2020) and Maison Dakota, Super Dakota, Brussels (2020).

Łukasz Stokłosa (b. 1986, Kalwaria Zebrzydowska, Poland) lives and works in Kraków, Poland. He studied painting at the Academy of Fine Arts, Kraków. Recent solo exhibitions include: Once upon a time, Rose Easton, London (2025); Elegies, The Wawel Royal Castle, Kraków, PL (2025); Sol victus, The Wawel Royal Castle, Kraków, PL (2024); Cries & Whispers, Tureen Gallery, Dallas, US (2024); Perihelion, AMITY, New York, US (2023); Mmmelting, Krupa Gallery, Wrocław, PL (2023) and Ambassadors. All those moments will be lost in time like tears in rain, Zderzak gallery, Kraków, PL (2022). Recent group exhibitions include: Nostalgia: Seekers of Fading Stars, MOCAK, Kraków, PL (2025); Arkadius. Powerful emotions. Confrontations, The Central Museum of Textiles, Łódź, PL (2024); The scent of rotting flowers, The City Art Gallery, Łódź, PL (2024); Beautiful Fish in a Man-Made Pond, AMITY, Los Angeles, US (2024); Food in Art, MOCAK, Kraków, PL (2024); Rococo’s Madness, National Museum, Wrocław, PL (2023) and THE DISCOMFORT OF EVENING, Zachęta – National Gallery of Art, Warsaw, PL (2022).